{"id":5,"date":"2018-11-13T16:31:23","date_gmt":"2018-11-13T15:31:23","guid":{"rendered":"https:\/\/balidra-giff.neto2.net\/?page_id=5"},"modified":"2026-04-28T17:07:48","modified_gmt":"2026-04-28T15:07:48","slug":"programme","status":"publish","type":"page","link":"https:\/\/balidra-giff.neto2.net\/fr\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n\n
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\n \n \n \n \n
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\n
<\/div>\n

\n 18 juin <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Conf\u00e9rence de Presse 2026 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
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\n
<\/div>\n

\n 2 juillet <\/h3>\n
<\/div>\n <\/div>\n
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\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n S\u00e9ance d'accueil des b\u00e9n\u00e9voles <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 3 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 13:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Samurai and the Prisoner <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 14:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Gaua <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 16:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les courts s\u2019invitent \u00e0 la f\u00eate <\/a>\n <\/h3>\n\n \n no_sub <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Blades of the Guardians <\/a>\n <\/h3>\n\n \n en,zh,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n KID-O-NIFFF <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Opening cocktail <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 19:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Nope <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Quince <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Salvation <\/a>\n <\/h3>\n\n \n fr,en,de <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 20:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Opening ceremony <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 21:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Nightborn <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n RRR <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hokum <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 22:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n International Shorts 1 <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 22:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sisters <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Privadas de suas vidas <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 00:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Higuma!! The Killer Bear <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 4 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 10:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Il \u00e9tait une fois les super h\u00e9ros et h\u00e9ro\u00efnes <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Matapanki <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n L'\u00c2ge de cristal <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 13:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Deadline <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Quince <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Swiss Shorts <\/a>\n <\/h3>\n\n \n no_sub <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n S.S. Rajamouli Masterclass <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
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\n
\n\n \n \n <\/span>\n \n 15:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Jeu de r\u00f4le : Le Bastion de Ga\u00efa <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sleep No More <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Nightborn <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Fish, Fists and Ambergris <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mandico Shorts <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e Vernissage Villa <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sanguine <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n My Daughter Is a Zombie <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Dead End <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n International Shorts 2 <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Histoires de la nuit <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Parasite <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Evil Dead Burn <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Saccharine <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ikatan Darah <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mum, I\u2019m Alien Pregnant <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 5 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Alice au pays des merveilles <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Nadja <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Asian Shorts <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Light Pillar <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La valle dei sorrisi <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Jeu de r\u00f4le : Mission arch\u00e9o <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n A Prayer for the Dying <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La Dame d'outre-nulle part <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Decorado <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ghost in the Cell <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Breeder <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La Paloma <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Furious <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Quince <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les Gar\u00e7ons sauvages <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sie glauben an Engel, Herr Drowak? <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hotspring Sharkattack 2: Great Kyushu Showdown <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Imposters <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Rocky Horror Picture Show <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Omen <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Jump Scare <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 6 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 10:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n When AI creates, who is the artist? <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Le Tambour <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Castlevania, une saga immortelle <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n If I Go Will They Miss Me <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ritual <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Jeu de r\u00f4le : Je ne suis d\u00e9j\u00e0 mort <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Au carrefour de l'animation et du fantastique <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mi Amor <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Match Monde <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hen <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Virgin Suicides <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Bertrand Mandico : Le fond, la forme et la fabrique <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e Service de la Culture <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n After Blue (Paradis sale) <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les \u00c2mes en peine <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sleep No More <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n I Grew an Inch When My Father Died <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Teenage Sex and Death at Camp Miasma <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Hunger <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Blood on Snow <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n At the Place of Ghosts <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n From Dusk Till Dawn <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Appofeniacs <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 7 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 10:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier de cr\u00e9ation fantasy 3 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Requiem for a Dream <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ahead of the game: The art of playful narrative <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Furiosa: A Mad Max Saga <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Saccharine <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n VFX Breakdown Predator: Badlands <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n You are the Film <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Salvation <\/a>\n <\/h3>\n\n \n fr,en,de <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Nightborn <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ready Player One <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les Anneaux de Pouvoir : du croquis \u00e0 l'\u00e9cran <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Baahubali: The Epic <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Cin\u00e9-concert: Donnie Darko <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sanguine <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Subsuelo <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Imposters <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Phi Phong: The Blood Demon <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Evil Dead Burn <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 8 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 10:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier de cr\u00e9ation fantasy 1 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 10:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Perspectives pour le cin\u00e9ma de genre en Suisse <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Decorado <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Asian Shorts <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n L'arch\u00e9ologie dans le cin\u00e9ma fantastique <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Gaua <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Eva <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier d'\u00e9criture familles <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Table-ronde HAPPY BIRTHDAY! <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n 4 Tigers <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Deadline <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Phenomena <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n At the Place of Ghosts <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mulholland Drive : capitalisme culturel et politique du d\u00e9sir <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e Ello <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e Get Together <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Fish, Fists and Ambergris <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Heysel 85 <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hokum <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hen <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Blades of the Guardians <\/a>\n <\/h3>\n\n \n en,zh,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Shaolin Soccer <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Breeder <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Blood on Snow <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Goal of the Dead <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Higuma!! The Killer Bear <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 9 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 10:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier de cr\u00e9ation fantasy 2 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mort un dimanche de pluie <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Intacto <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Eega <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n En eaux profondes <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n If I Go Will They Miss Me <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Match Monde <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Rencontre avec Frederik Peeters <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ikatan Darah <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La C\u00e9r\u00e9monie <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n I Grew an Inch When My Father Died <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n International Shorts 1 <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier d'\u00e9criture : Utopies liquides <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n A Conversation with Samantha Shannon <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e Ba111od <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n My Daughter Is a Zombie <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La valle dei sorrisi <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Dead End <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Light Pillar <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Tomb Raider <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Imposters <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les \u00c2mes en peine <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Quince <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Jump Scare <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hotspring Sharkattack 2: Great Kyushu Showdown <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 10 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n You are the Film <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n International Shorts 2 <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Samurai and the Prisoner <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Annihilation <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Subsuelo <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Decorado <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier cin\u00e9ma et effets sp\u00e9ciaux 1 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Phi Phong: The Blood Demon <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Teenage Sex and Death at Camp Miasma <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Happy Birthday to Me <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Matapanki <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier cin\u00e9ma et effets sp\u00e9ciaux 2 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Soir\u00e9e VNV <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ap\u00e9ritif de la Ville de Neuch\u00e2tel <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Saccharine <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Ghost in the Cell <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n A Prayer for the Dying <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Breeder <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Furious <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Shrek <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Gaua <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sanguine <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Privadas de suas vidas <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mulholland Drive <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n \n
\n
\n
<\/div>\n

\n 11 juillet <\/h3>\n
<\/div>\n <\/div>\n
\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hen <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Les courts s\u2019invitent \u00e0 la f\u00eate <\/a>\n <\/h3>\n\n \n no_sub <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 11:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n The Birthday <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 13:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n La valle dei sorrisi <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Swiss Shorts <\/a>\n <\/h3>\n\n \n no_sub <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 14:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Sleep No More <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 15:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier cin\u00e9ma et effets sp\u00e9ciaux 3 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Heysel 85 <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Tumbbad <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 16:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Blood on Snow <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 17:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Atelier cin\u00e9ma et effets sp\u00e9ciaux 4 <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 18:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Histoires de la nuit <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n 4 Tigers <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Frailty <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 19:15 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Happy Death Day <\/a>\n <\/h3>\n\n \n en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 20:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Closing ceremony <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Colony <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 21:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mi Amor <\/a>\n <\/h3>\n\n \n en,fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Colony <\/a>\n <\/h3>\n\n \n fr,en <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Hokum <\/a>\n <\/h3>\n\n \n fr <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 22:00 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Bloody Birthday <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:30 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Appofeniacs <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n\n \n \n <\/span>\n \n 00:45 <\/span>\n <\/a>\n <\/span>\n\n

\n <\/span>\n \n Mum, I\u2019m Alien Pregnant <\/a>\n <\/h3>\n\n \n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n<\/div>\n\n\n